Impact of “literati painting” on the artistic ideology of Chinese classical garden design

WU Xue-feng

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Volume 22 Issue 2

Feb. 2017

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Article Navigation > Journal of Zhejiang A&F University > 2005 > 22(2): 231-234

WU Xue-feng. Impact of “literati painting” on the artistic ideology of Chinese classical garden design[J]. Journal of Zhejiang A&F University, 2005, 22(2): 231-234.

Citation:

WU Xue-feng. Impact of “literati painting” on the artistic ideology of Chinese classical garden design[J]. Journal of Zhejiang A&F University, 2005, 22(2): 231-234.

Impact of “literati painting” on the artistic ideology of Chinese classical garden design

WU Xue-feng^,

1.
School of Landscape Architecture and Arts, Zhejiang Forestry College , Lin‘an 311300, Zhejiang , China

Funds:

浙江省教育厅资助项目(20030570)

Received Date: 2004-09-22
Rev Recd Date: 2005-03-02
Publish Date: 2005-06-20

Abstract

Chinese traditional literati paintings and classical gardens are the essence of Chinese traditional art .The creators of them were all literati who shared the common aesthetics and artistic tastes .The creators of Chinese classical gardens usually applied the theories of literati painting to their design and construction .Therefore , such gardens were also called literati gardens .Both literati paintings and literati gardens tended to follow nature and expressed their ambition and emotion through concrete things and scenery .The creators of the classical gardens followed the principles that less is more , emphasized the comparison between loose and dense , abstract and concrete , and tried to be poetic in artistic conception .Although artificial , the gardens looked very natural.The cultural connotation of literati painting was also the spiritual core of the artistic ideology of Chinese classical garden . Such humanity spirit not only was reflected by each pavilion but also would be more prosperous in the development of the modem gardening .[ Ch , 6 ref .]
- literati painting,
- literati garden,
- Chinese gardens,
- conception forming,
- layout,
- artistic conception

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通讯作者: 陈斌, bchen63@163.com

1.
沈阳化工大学材料科学与工程学院沈阳 110142

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Impact of “literati painting” on the artistic ideology of Chinese classical garden design

WU Xue-feng^,

1. School of Landscape Architecture and Arts, Zhejiang Forestry College , Lin‘an 311300, Zhejiang , China

Funds:

浙江省教育厅资助项目(20030570)

Received Date: 2004-09-22
Rev Recd Date: 2005-03-02
Publish Date: 2005-06-20

Key words:

Abstract: Chinese traditional literati paintings and classical gardens are the essence of Chinese traditional art .The creators of them were all literati who shared the common aesthetics and artistic tastes .The creators of Chinese classical gardens usually applied the theories of literati painting to their design and construction .Therefore , such gardens were also called literati gardens .Both literati paintings and literati gardens tended to follow nature and expressed their ambition and emotion through concrete things and scenery .The creators of the classical gardens followed the principles that less is more , emphasized the comparison between loose and dense , abstract and concrete , and tried to be poetic in artistic conception .Although artificial , the gardens looked very natural.The cultural connotation of literati painting was also the spiritual core of the artistic ideology of Chinese classical garden . Such humanity spirit not only was reflected by each pavilion but also would be more prosperous in the development of the modem gardening .[ Ch , 6 ref .]

WU Xue-feng. Impact of “literati painting” on the artistic ideology of Chinese classical garden design[J]. Journal of Zhejiang A&F University, 2005, 22(2): 231-234.

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WU Xue-feng. Impact of “literati painting” on the artistic ideology of Chinese classical garden design[J]. Journal of Zhejiang A&F University, 2005, 22(2): 231-234.

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